Artist's statement:
My work is about giving character to individual gestures through the
illusion of movement, placement, and direction of marks. I consider these forms
"creatures" with whom I have an ongoing dialogue. They come from a long history
of development that originated from simple lines observed in bodies in motion
and glimpses of curious attitudes of posture. Manipulating these representational
lines over time has turned them into forms that constantly evolve. I am interested
in placing these figures within a frame or a specific space and having them
come alive as individual, humorous, elegant entities unto themselves. My work
is a continual investigation into the many characteristics that lie within these
forms. The experience of transforming these characters into the medium of lithography
was a great challenge for me because of the way I work. Usually, in the process
of drawing, I edit through several hundred drawings to get to a final selection
of between five and twenty drawings in a series. With lithography, I had to
deal with a few plates instead of many sheets of paper. I no longer had the
luxury of editing from sheet to sheet; instead, I was required to make specific
choices immediately. Because of this different type of spontaneity, I consider
these prints to be some of my most unique drawings.
Sharon Louden's 1999 exhibitions include:
Sharon Louden: "Agents," an installation at the Delaware Center for the Contemporary Arts in Wilmington, and Vanishing Point, a group exhibition at the Cynthia Broan Gallery, New York. Her sculptural work is also featured at the Connemara Conservancy Foundation in the Dallas/Fort Worth area through May 9, 1999.
Solo exhibitions within the past three years have included ones at the Thomas Healy Gallery, New York; Rhona Hoffman Gallery, Chicago; Works on Paper, Inc., Los Angeles; and the Islip Art Museum, East Islip, New York. Other recent group exhibitions include the 1998 Art on Paper exhibition at the Weatherspoon Art Gallery, University of North Carolina Greensboro, as well as exhibitions at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; the Arkansas Arts Center, Little Rock; and Harvard University's Arthur M. Sackler Museum, Cambridge, Massachusetts. Louden's work is included in the collections of the National Gallery of Art, Washington, D.C., and the Arkansas Arts Center.
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4/3/09