Ed Ruscha

b.1937, Omaha, Nebraska; lives in Los Angeles, California

Ruscha started off with the idea that he would be a commercial artist, and he worked as a sign painter and studied with a commercial printer to learn the trade. As he shifted course and traveled to California to attend art school at Chouinard Art Institute, he was struck by the vernacular architecture, gas station construction, and commercial signage he experienced along the way. His work continues to explore the complexity and impact of commercial signage, and the sound and associations of words, looking at language as subject, symbol, and form. His imagery is replete with wit and humor, and captures a fabricated American landscape through decades of inquiry and multiple variations in paintings, artist books, films, prints and drawings.

At Tamarind, Ruscha created several text based lithographs over the course of a number of collaborations. His iconic I’m Sorry I Didn’t Mean to Interrupt was included in the workshop’s anniversary portfolio Suite Fifteen.

Ruscha is represented in museum collections worldwide, including Museum Ludwig, Cologne, Germany; Museo d’arte contemporanea, Castello di Rivoli, Turin, Italy; The High Museum of Art, Atlanta; The Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; Museum of Fine Art, Houston; Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles; and San Francisco Museum of Modern Art, among others.



Jaune Quick-to-See Smith, Coyote in Quarantine, 2020


Judy Chicago, In Praise of Prarie Dogs, 2019


Hayal Pozanti, 8 (million tons of plastic that go into the sea each year), 2018, 2018


Tara Donovan, Untitled (2016).


Charles Arnoldi, Breaking, 2013


Enrique Martínez Celaya, The Optimists, 2014


Nick Cave, Amalgam (brown), 2015


James Siena, Sagging Infected Triangular Grid, 2012


Kiki Smith, Untitled, 2009