Special Projects
Five lithographs created by New Mexico artists Eric Garcia, Szu-Han Ho, Gaby Hernández, Jane Lackey, and Zahra Marwan are the result of Tipping Points, a collaborative project between the City of Albuquerque and Tamarind Institute.
During the workshop residencies, each Tipping Points artist made one lithograph in collaboration with Tamarind student printers, under the supervision and guidance of Tamarind Master Printer and Education Director Brandon Gunn. Tamarind student printers included Austin Armstrong, Lindsey Sigmon and Brian Wagner.
This portfolio of five prints is now part of the City of Albuquerque Public Art Collection, Tamarind’s own in-house archive, and the formal Tamarind Archive, housed at the University of New Mexico Art Museum.
Special thanks to the City of Albuquerque Department of Arts and Culture for co-sponsoring the Tipping Points project.
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Eric J. Garcia, Primo Jose, 2021 (21-802)
$600.00 -
Jane Lackey, Schema, 2021 (21-803)
$600.00 -
Gaby Hernandez, Nuestra Tierra Trans – honoring the lives and growth of trans immigrants, 2021 (21-801)
$300.00 -
Zahra Marwan, My Mom’s Three Sisters, Loud and Unafraid, 2021 (21-805)
$600.00 -
Szu-Han Ho, If We Burn, 2021 (21-804)
$1,200.00 -
Tipping Points Suite
$2,500.00
Exquisite Corpse is a suite of eighteen lithographs drawn by visiting artists over fifteen years. Collectors can tap into their own creativity and make characters by mixing and matching depictions of a torso, legs, and head.
Paper sizes for each edition are approximately 8 1/2 x 11 inches, with up to 1/6 of an inch difference, on varying types of paper.
Although individual prints are shown below, they are not sold individually.
Please inquire about price and availability.
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G. Victor Goler, Untitled, 2000 (00-373)
Please Inquire for price and availability. -
Andrea Dezsö, Alien Chick, 2000 (00-367)
Please Inquire for price and availability. -
Elena Climent, Untitled, 2001 (01-332)
Please Inquire for price and availability. -
Gendron Jensen, bear breasted, 2014 (14-328)
Please Inquire for price and availability. -
Mary Snowden, Untitled, 2000 (00-356)
Please Inquire for price and availability. -
William Wiley, Slightly Ahead of the Seasons, 2001 (01-310)
Please Inquire for price and availability. -
Hung Liu, Untitled, 2000 (00-372)
Please Inquire for price and availability. -
José Bedia, Untitled, 2002 (02-369)
Please Inquire for price and availability. -
Larry Brown, Untitled, 2001 (01-317)
Please Inquire for price and availability. -
Osmeivy Ortega Pacheco, Untitled, 2015 (15-307)
Please Inquire for price and availability. -
Suzi Davidoff, Untitled, 2000 (00-374)
Please Inquire for price and availability. -
Yoshimi Hayashi, Untitled, 2002 (02-318)
Please Inquire for price and availability.
For Foodie, Tamarind invited local artists Ann Cooper, Kenny Davis, Marne Elmore, Mark Horst, Scott Kuykendall, Valerie Roybal, Andrea Sanchez, and Natalie Voelker to collaborate in the workshop with Master Printer Bill Lagatutta around the theme of food. An exhibition in Tamarind’s gallery concluded the project in Summer 2015. Project funding was provided by Albuquerque’s Public Art Program.
Individual prints available.
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Kenny Davis, Southwest Vernacular III, 2014 (14-809)
No longer available -
Andrea Sánchez, Bloom, 2014 (14-808)
$200.00 -
Anne Cooper, autumn heat / my begging bowl is full of rice, 2014 (14-804)
$250.00 -
Marne Elmore, Husbandry, 2014 (14-806)
$250.00 -
Natalie Voelker, Blue Corn Posole and Anasazi Beans, 2014 (14-807)
$200.00 -
Scott Kuykendall, On the Road to Enlightenment, 2014 (14-812)
$350.00 -
Valerie Roybal, Honey Alchemy, 2014 (14-805)
No longer available
For LandMarks, Tamarind Institute brought together Australian Aboriginal artists from the Northern Territory and Native American artists from the United States and Canada to participate in the experience of collaborative printmaking. The project was conceived as an opportunity for the artists to work as a creative community, share experiences and artistic styles, and explore a common spiritual connection to the land.
Native American artists included Chris Pappan (Kaw, Osage, Cheyenne River Sioux); Marie Watt (Seneca); Jewel Shaw (Cree/Metis); and Dyani Reynolds White Hawk (Sicangu Lakota). Australian artists included Djirrirra Wunungmurra (Buku-Larrngay Mulka), Marie Josette Orsto (Tiwi Design), and Alma Sims (Warkulurangu Art Center).
Individual prints available
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Alma Granites, Seven Sisters, 2013 (13-339)
$600.00 -
Alma Granites, Seven Sisters, 2013 (13-342)
$600.00 -
Chris Pappan, Australia Silver, 2013 (13-341)
$650.00 -
Chris Pappan, Kansas Gold, 2013 (13-340)
$800.00 -
Djirrirra Wunungmurra, D’thum D’thum, 2013 (13-336)
$500.00 -
Djirrirra Wunungmurra, Yukuwa, 2013 (13-331)
$400.00 -
Djirrirra Wunungmurra, Yukuwa, 2013 (13-335)
$500.00 -
Dyani White Hawk, Litho Moc, 2013 (13-337)
No longer available -
Dyani White Hawk, Trust and Loss, 2013 (13-346)
No longer available -
Dyani White Hawk, Understanding II, 2013 (13-338)
No longer available -
Jewel Shaw, it was the end I, 2013 (13-332)
$500.00 -
Jewel Shaw, it was the end II, 2013 (13-332a)
No longer available
Trickster brought together four San artists of the Naro language group from the Kalahari Desert in Africa and four artists from New Mexico pueblos to share stories and make prints about the popular folkloric figure of the trickster. The sixteen lithographs represent a colorful and varied interpretation of the idea of “trickster,” and refer to a transformation process or the storytelling tradition and its methods of communication.
Participants included Thamae Setshogo, Xqaiqa Qomatcaa, Cg’ose Ntcoxo (Cgoise), Coex’ae (Dada) Qgam, Nora Naranjo-Morse, Diane Reyna, Felice Lucero, Cg’ose Ntcoxo (Cgoise), Xqaiqa Qomatcaa, Diane Reyna, Thamae Setshogo, Mateo Romero, and Coex’ae (Dada) Qgam. The project was funded by New Mexico Arts, Tamarind Institute, and the Kuru Development Trust.
Individual prints available
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Cg’ose Ntcoxo (Cgoise), Jujubu and Nxam Veldfood, 1999 (99-335)
$125.00 -
Cg’ose Ntcoxo (Cgoise), Locust with Bushman Potato (Qare), 1999 (99-329)
$125.00 -
Coex’ae (Dada) Qgam, Birds and Women Eating Sour Berries, 1999 (99-330)
$125.00 -
Coex’ae (Dada) Qgam, Mothers and Babies under Euphorbia Tree, 1999 (99-343)
$125.00 -
Felice Lucero, Trickster One, 1999 (99-334)
$125.00 -
Felice Lucero, Trickster Two, 1999 (99-341)
$125.00 -
Mateo Romero, Gods of the Warm, Cold Middle, 1999 (99-342)
$125.00 -
Mateo Romero, King of the Monsters, 1999 (99-340)
No longer available -
Nora Naranjo-Morse, Culture Speak, 1999 (99-331)
No longer available -
Nora Naranjo-Morse, Stories from Within, 1999 (99-332)
$125.00 -
Thamae Setshogo, Antbear and Acacia, 1999 (99-338)
$150.00 -
Thamae Setshogo, Jackal & Hyena, 1999 (99-327)
$125.00 -
Xqaiqa Qomatcaa, Tortoise with Ostrich, 1999 (99-328)
$125.00 -
Xqaiqa Qomatcaa, Trickster Hare and Lion, 1999 (99-336)
$125.00
Funded by the Trust for Mutual Understanding, Connections brought together six artists from former Yugoslavia to encourage meaningful dialogue and promote understanding and cooperation. The visiting artists—from Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Serbia, and Slovenia—who once lived in the same country are now divided by politics, ideology, and national borders. During their time at Tamarind, they shared their experiences of maintaining lives as artists under conditions of societal disintegration, civil war, economic atrophy, and nationalist rhetoric.
Participants included: Zlatan Filipovic (Bosnia-Herzegovina); Mirjana Vodopija (Croatia); Tahar Alemendari (Kosovo); Ana Stojkovic (Macedonia); Adam Pantic (Serbia); Damijan Kracina (Slovenia).
As a follow-up to the Connections project, the Trust for Mutual Understanding awarded Tamarind a grant for Re:Connection to continue the dialogue established during the artists’ visit in 2002.
Individual prints are available.
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Adam Pantic, East West, 2002 (02-344)
$400.00 -
Adam Pantic, Guard, 2002 (02-340)
$400.00 -
Ana Stojkovic, Untitled (windshield), 2002 (02-350)
$400.00 -
Damijan Kracina, Black Center, 2002 (02-351)
$300.00 -
Mirjana Vodopija, Blue Circle, 2002 (02-345)
$500.00 -
Mirjana Vodopija, Folio, 2002 (02-332)
$500.00 -
Zlatan Filipovic, Untitled, 2002 (02-330)
$300.00 -
Zlatan Filipovic, Untitled, 2002 (02-343)
$300.00
For Odas Y Cantos, a selected group of Spanish-speaking artists chose a poem by famed Chilean poet Pablo Neruda and interpreted it through the art of lithography at Tamarind Institute. Artists included: Enrique Badaro Nadal (Uruguay), Freddy Blanco Chavez (Bolivia), Jose Fernandez Covich (Chile), Oscar Machado Cuevas (Venezuela), Luz Angela Lizarazo (Colombia), Jorge Pineda (Dominican Republic), Nelson Santos (Ecuador), Carlo Spatuzza Medina (Paraguay), and Daniel Zelaya (Argentina).
The project was supported by Citizen Exchanges and the United States Information Agency (now United States Department of State). Typography, letterpress printing, and portfolio box by Katherine Kuehn, Salient Seedling Press.
Odas Y Cantos suite in a portfolio box, $2000. Please inquire to puchase. Individual prints available.
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Daniel Zelaya, Viene los Pajaros, 1996 (96-312)
$300.00 -
Enrique Badaro Nadal, The Clay’s Long Journey, 1997 (96-307)
$300.00 -
Freddy Blanco Chavez, Oda a un reloj en la noche, 1996 (96-342)
$300.00 -
Jorge Pineda, Capilla Ardiente, 1995 (95-345)
$300.00 -
José Fernández Covich, Ebrio de trementina, 1996 (96-346)
$200.00 -
Luz Ángela Lizarazo, Untitled, 1996 (96-352)
$100.00 -
Nelson Santos, Envolturas, 1996 (96-322)
$300.00 -
Oscar Machado Cuevas, Untitled, 1996 (96-340)
$300.00
One of Tamarind’s first international projects, México Nueve, funded by the Rockefeller Foundation, brought together Tamarind Institute and the Latin American Institute. The artists were selected by a committee comprised equally of U.S. and Mexican nationals, and included artists Alfredo Castañeda, Olga Costa, José Luis Cuevas, Gunther Gerzso, Alberto Castro Leñero, Luis Lopéz Loza, Gabriel Macotela, Vicente Rojo, Roger Von Gunten.
Individual prints by participating artists available.
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Roger Von Gunten, En la Barranca, 1984 (84-325)
$600.00 -
Roger Von Gunten, Sirena del Desierto, 1984 (84-326)
$600.00 -
Alberto Castro Leñero, Mujer con Pina, 1986 (86-314)
$400.00 -
Alberto Castro Leñero, Susana y el Tigre, 1986 (86-317)
$400.00 -
José Luis Cuevas, Self Portrait in the Room #523, 1986 (86-306)
$900.00 -
Vicente Rojo, Mexico Bajo la Lluvia L1, 1986 (86-302)
$650.00 -
Vicente Rojo, Mexico Bajo la Lluvia L2, 1986 (86-303)
$650.00
A celebrated suite of fifteen lithographs created in 1975 by selected artists who worked at Tamarind during its first fifteen years including Clinton Adams, Garo Antreasian, Elaine de Kooning, David Hare, Matsumi Kanemitsu, Nicholas Krushenick, James McGarrell, George McNeil, Nathan Oliveira, Kenneth Price, Deborah Remington, Edward Ruscha, Fritz Scholder, June Wayne, and Emmerson Woelffer.
Some individual prints available.
Please inquire to purchase the entire suite.
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Deborah Remington, Davos, 1975 (75-147)
$2,500.00 -
Emerson Woelffer, Untitled, 1976 (76-119)
$2,000.00 -
Elaine de Kooning, Jardin de Luxembourg, 1977 (77-101)
$3,500.00 -
Nathan Oliveira, Acoma Hawk II, 1975 (75-157)
$2,500.00 -
Clinton Adams, Birth of Venus II, 1976 (76-118a)
$800.00 -
Fritz Scholder, Indian with Beaded Sash, 1975 (75-189)
$5,000.00 -
June Wayne, Visa Monday, 1976 (76-132)
$3,500.00 -
Garo Antreasian, Untitled, 1976 (76-128)
$2,000.00 -
George McNeil, Philadelphia Woman, 1976 (76-127)
$900.00 -
David Hare, Untitled, 1975 (75-164)
$3,000.00 -
Ed Ruscha, Excuse Me I Didn’t Mean to Interrupt, 1975 (75-172)
$35,000.00 -
Kenneth Price, Untitled, 1977 (77-103)
$5,000.00 -
James McGarrell, Quotation with Twister, 1975 (75-130)
$1,000.00 -
Nicholas Krushenick, Smokey the Bear, 1975 (75-195)
$1,000.00 -
Matsumi Kanemitsu, Za Zen (The Meditation), 1975 (75-103)
$2,000.00